講題 Title：

Despite all: epoch, gesture and destiny in times of digital protocol 儘管如此：數位協定下的時代、姿態和命運

講者 Speaker：

Román Domínguez Jiménez

智利天主教大學哲學助理教授

Assistant Professor in Philosophy, Pontificia Universidad Católica de Chile, Chile

講者介紹 Introduction of the speaker：

Domínguez博士畢業於墨西哥國立自治大學，並自巴黎第八大學取得碩士和博士學位。從 2012 年 5 月發表的博士論文開始（Rythme, geste, montage: esquisse pour une technologico-politique par le cinéma），他將最初對Gilles Deleuze電影思想的興趣轉移到姿態(gesture)概念的發展上。至智利任教後，他的哲學興趣不僅集中在電影上，而且還涉及當代技術、媒體、設備和設備，特別是所謂的ICT（訊息和通訊技術）對感官的改變。

除了上述研究之外，Domínguez博士亦對於當代墨西哥電影、恐怖電影、古典製圖和一般地圖、杜梅齊爾(Dumézil)的比較神話、博爾赫斯(Borges)的形而上學的闡釋、美式足球的美學、古代文物的設計、流行文化和中世紀對異端的描述、前西班牙遺址的質地、圖書館、二手書店、墨西哥書店，和舊書籍感興趣。

Doctor Domínguez graduated from National Autonomous University of Mexico, and he gained his master and doctorate degree at University of Paris 8. Starting from his doctoral thesis presented in May 2012 (Rythme, geste, montage: esquisse pour une technologico-politique par le cinéma), he shifted his initial interest in Gilles Deleuze's thought of cinema to concentrate on his own development of the notion of gesture. Once in Chile, his philosophical interest will focus not only on the cinema, but also on the modifications of sensibility carried out by contemporary techniques, media, devices and apparatus, especially the so-called ICTs (information and communication technologies).

In addition to the aforementioned studies, Domínguez is interested in contemporary Mexican cinema, in horror films, in classical cartography and maps in general, in the comparative mythology of Dumézil and the metaphysical lucubrations of Borges, in the aesthetics of American football. , for the design of ancient artifacts, for pop culture and accounts of medieval heresies, for the texture of pre-Hispanic ruins, for libraries, second-hand bookstores, Mexican albures and dusty books.

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